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In a Folkier Vein

by David A. Harley

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1.
They hang the man and flog the woman That steal the goose from off the common, But let the greater villain loose That steals the common from the goose. The law demands that we atone When we take things we do not own But leaves the lords and ladies fine Who take things that are yours and mine. The poor and wretched don’t escape If they conspire the law to break; This must be so but they endure Those who conspire to make the law. The law locks up the man or woman Who steals the goose from off the common’ And geese will still a common lack Till they go and steal it back.
2.
I am a brisk lad though my fortune is bad And I am exceedingly poor. Indeed I intend my fortune to mend, And to build a house downon the moor, my brave boys, And to build a house down on the moor. The farmer do keep fat oxen and sheep And a neat little nag on the moor. In the middle of the night when the moon do shine bright There’s a number of work to be done, my brave boys, There’s a number of work to be done. I’ll walk all around on another man’s ground, And I’ll take a fat sheep for my own. With the aid of my knife I will end of its life And then I will carry it home, my brave boys, And then I will carry it home. My children they will pull the flesh from the ewe, And I will be where there is none.. When the constable do come I will stand with my gun And I’ll swear all I have is my own, my brave boys, I’ll swear all I have is my own.
3.
When M’Lord returned To his sheets of silk And his gentle lady Of musk and milk The minstrels sang In the gallery Their songs of slaughter And chivalry The rafters roared With laughter and boasting Beakers were raised and drained In toasting The heroes of Crécy And Agincourt Or the madness Of some holy war The hawk is at rest On the glove once more Savage of eye And bloody of claw Famine and fever Are all the yield Of the burnt-out barns And wasted fields The sun grins coldly Through the trees The children shiver The widows grieve And beg their bread At the monastery door Tell me then Who won the war?
4.
Fetch the rolls: make the tea: then grab the end of that And sand it till your fingers bleed, if you think you've planed it flat. Call yourself apprentice? Lad, I'd be ashamed If I knew so little, to be called by such a name Never mind the splinters: In a year or two You'll have quite forgotten that they ever bothered you. Hands as hard as English oak, muscle, skill and guile: That's what makes a craftsman; but not you, for a while Cut yourself, you silly sod? Take care, if you please, And don't bleed on the timber: do you think it grows on trees? Call yourself a craftsman? No, lad, never you. Though if you try your hardest, one day you might scrape through So you've got your piece of paper? I hope I've taught you well, And I won't deny you're willing: no doubt time will tell. Call yourself a craftsman? That's as may well be… Another year, or five, or ten, and then perhaps we'll see…
5.
Long Stand 02:49
The day I started work, the foreman said to me, “I’ve another job for you when you’ve finished brewing tea: Go down to the stores and when you find old Stan, Tell him Harry sent you for a long stand.” I got a long stand all right: I stood an hour or more, Till Stan got tired of the joke and sent me back to the shop floor. Well I didn’t think it funny, but I laughed and held my peace, Even when they sent me back for a tin of elbow grease. Still I did my bit, till I was pensioned off in ’69 From apprentice to foreman, all down the production line. Many’s the lad I’ve sent myself when things were getting dull For a can of striped paint or a pound of rubber nails. But the joke they’re playing now, I just don’t think it’s fair: Even when you get your ticket, the work just isn’t there. The safest job in England is handing out the dole: For every man that gets a job they turn away a hundred more. For now the work is scarce, again, the queues are building up. The streets are full of lads and lasses looking out for jobs; But when you’ve just left school, you hardly stand a chance They’re sending every lad in England for a long stand. They say that if you’ve got the gumption you can do just as you please. They say you’ll do all right with a bit of elbow grease; But with a hundred out for every job, it’s few that stand a chance They’re sending every lad in England for a long stand They’re sending every lass in England for a long, long stand
6.
We are but images of stone Do us no harm We can do none St. Crispin and St. Crispian are we On the arch of the Shoemaker’s arbour High above the river on Kingsland we stood On the gate to the hall of the shoemakers’ guild Where the bakers, the tailors, the butchers, the smiths And the saddlers too their guild arbours built. Each year in procession the guilds gave a show And marched through the town to the sound of the drum: Then it’s back to Kingsland to feast and carouse And enjoy the great day the guild members come. We are but images of stone Do us no harm We can do none St. Crispin and St. Crispian are we On the arch of the Shoemaker’s arbour On the 10th of June 1752 In a house called The Crown that stood on Pride Hill John Richards’ workmen received a week’s pay And there they stayed and drank their fill. When a redcoat patrol chanced to pass by The men  mocked and reviled them with Jacobite songs And who struck the first blow no-one was sure But a bloody riot soon raged through the town. The authorities trembled with passion and fear When news of this Jacobite outburst was known For the House of Hanover had won few hearts And the Stuarts still plotted to win back the throne. And so that same year, one raw day in December, The rebellious townsfolk of Salop looked on While below the old arch of the Shoemaker’s Arbour They made an example of Tom Anderson Who was once spared by death on the field of Culloden Then joined the dragoons but deserted, they say, Only to die on the banks of the Severn By firing squad on a cold Winter’s day. When the black velvet suit was stripped from his body The Chevalier’s colours were beneath it, it’s said, Received from the hands of Bonny Prince Charlie Whose cause like young Thomas is broken and dead. For it’s 200 years since Bonny Prince Charlie Died drunk and embittered, an old man in Rome While a century ago in the flowers of the Dingle The old arbour gateway found a new home. Now who’s to remember the Shoemakers’ Guild Or the Jacobite rebels who fought for a throne? And who’s left to grieve for Tom Anderson But these two hearts of stone? We are but images of stone Do us no harm We can do none St. Crispin and St. Crispian are we On the arch of the Shoemaker’s Arbour
7.
In Aston Clun I stand, a tree, A Poplar dressed, like a ship at sea. Lonely link with an age long past : Of Arbor Trees, I am the last. Since seventeen-eighty-six, My Day Is writ, the twenty 9th of May. When new flags fly and we rejoice, New life has stilled harsh Winter's voice. To greet a Squire's lovely bride Did tenants dress my boughs with pride ? But Old Wives say, my flags are worn To mark the day an heir was born. Wise men, mellow o'er evening ale, Old feuds and wicked deeds retail. Thanksgiving dressed my arms, they say For Peace, when blood feuds died away. Did here ! my father mark the rite Of Shepherd's, gone with world's first light ? Was England merrie neath his shade Till crop-Haired Cromwell joy forbade ? In sixteen-sixty with the Spring Came Merry Charles the exiled king. Did he proclaim May twenty-nine "Arbor Day" for revelry and wine ? And Shepherds, plagued with pox and chills Turn to the old ways of the hills, To "Mystic Poplar", to renew Fertility in field and ewe ? Stand I, for Ancient ways, for Birth, For Love, for Peace, for Joy and Mirth? Riddle my riddle as you will I stand for good and not for ill. And if my dress your fancy please Help my flags to ride the breeze That you with me, will in the Sun, Welcome all, to the Vale of Clun.
8.
Light down, light down my own true love And stay with me the night For I have a bed and a fireside too And a candle that burns so bright. I can’t light down and I won’t light down Nor spend the night with thee For I have a love and a true true love Would think so ill of me But he’s bent down from his saddle To kiss her snowy white cheek She’s stolen the dagger from out of his belt And plunged it into him so deep She’s taken him by his long yellow hair And the maid’s taken him by the feet They’ve plunged him into that deep doleful well Full 20 fathoms deep And as she’s turned her round to go home She’s heard some pretty bird sing Go home, go home you cruel girl And weep and mourn for him Fly down, fly down you pretty bird Fly down and go home with me And your cage will be made of the glittering gold And the perch of the best ivory I can’t fly down and I won’t fly down And I’ll not go home with thee For you have slain your own true love And I’m feared you’ll murder me I wish I had my bent horn bow And drawn with a silken string I surely would shoot that cruel bird As sits in the briars and sings I wish you had your bent horn bow And drawn with a silken string I surely would fly from vine to vine And always you’d hear me sing
9.
As I walked from my love's wedding By the spring where we once lay From the top of a mighty oak tree A songbird sang to me It's been so long that I've loved you I never will love again Sing, happy nightingale, Sing, for your heart is light Sing out your notes so merry But all that I can do is cry My love has wed another Though I was not to blame I gave to him my love too freely Now someone wiser bears his name Oh, how I wish that the rosebud Still flourished on the vine And that my false true lover Still returned this love of mine Il y a longtemps que je t'aime Jamais je ne t'oublierai
10.
I haven't included the lyrics of this song about a(nother) woman betrayed, since I don't sing them. There are, however, three versions of the lyric, a video of Bert singing it, and information on other versions, on the Mainly Norfolk page at https://mainlynorfolk.info/anne.briggs/songs/blackwaterside.html
11.
Loveliest of trees, the cherry now Is hung with bloom along the bough, And stands about the woodland ride Wearing white for Eastertide. Now, of my threescore years and ten, Twenty will not come again, And take from seventy springs a score, It only leaves me fifty more. And since to look at things in bloom Fifty springs are little room, About the woodlands I will go To see the cherry hung with snow.
12.
The Weekends 03:26
The world has changed since I was born in 1902. Two World Wars have swept away the world that we once knew: Two brothers and three sisters , long dead and gone to earth Our lives were often hard, but now the weekends are the worst. My old man died just 20 years past. His health was never good since the Kaiser had him gassed, But in the end it was cancer that carried him off so fast I miss him all the time, and the weekends are the worst. You might say I was lucky, though we never had much cash, But we had 50-odd good years, more than I’d dare to ask. I brought up three lovely kids, though another died at birth: I miss them all a lot, and the weekends are the worst. I’ve a son in Melbourne, he’s been there since ’62: I’ve never seen his wife or kids, just a snapshot or two. My eldest died in the last lot, on a convoy to Murmansk: It still brings tears to my eyes, and the weekends are the worst. I’ve a daughter in Glasgow: she writes when she has time, But that’s a long way off, and I’ve not seen her for a while. She’s got a son in the army, just been posted to Belfast: We worry all the time, and the weekends are the worst. My friends are mostly dead, or else they’ve moved like me When the street I was brought up in was pulled down in ’63. Sixty years I’d lived there, child, girl and wife: Sheltered housing’s not so bad but it can be a lonely life. Especially since Jim died: we weren’t too bad at first But now I’m on my own the weekends are the worst. There’s the club once a week, though it’s just from seven till nine, And since my fall they only fetch me down from time to time. There’s my knitting and the TV, for what that might be worth, But I miss the company, and the weekends are the worst.
13.
Oh fair enough are sky and plain, But I know fairer far: Those are as beautiful again That in the water are; The pools and rivers wash so clean The trees and clouds and air, The like on earth was never seen, And oh that I were there. These are the thoughts I often think As I stand gazing down In act upon the cressy brink To strip and dive and drown; But in the golden-sanded brooks And azure meres I spy A silly lad that longs and looks And wishes he were I.
14.

about

While working up a set for the Lafrowda festival in St Just, Cornwall, I started thinking about an album revisiting my favourite of my own songs, one of those songs being 'Goose and Common' (for which the words are traditional). At the same time, though, in conversation with other Cornwall-based songwriters on Anthea Prince's Facebook group, notably Josh Rogers, my attention was drawn to a video in the course of which he sang 'The Sheepstealer'.

I hadn't sung that song in decades, but remembered that I'd long thought about a guitar-based version. When I'd put that together, though, I realized that it was going to look a bit odd in an album otherwise consisting of songs of mine. So while the only brand new tracks here (apart from The Sheepstealer) are the instrumental 'Courtship Dance' and the re-recorded 'Call Yourself A Craftsman' (previously recorded as a poem with music), 'Oh Fair Enough Are Sky And Plain' and 'Goose and Common', all the tracks here have some (sometimes tenuous) connection with the folk tradition. Or sound as if they mght. And several have been edited and remastered.

In fact, I cut the number of possible tracks right down, so there might be another dollop of folkiness up here in due course. I'll try to resist, though, out of respect for the sensitivities of real folkies. Sadly, I may be losing that battle.

credits

released August 13, 2023

All vocals and instruments by David Harley.

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David A. Harley England, UK

David Harley is a former professional musician, administrator, IT security editor, author and researcher, and former much else that is even less impressive. He now lives in Cornwall. More info at whealalice.com

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