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Born To Be Mild: 1st Demo Album

by David A. Harley

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1.
My Boy Jack 02:36
‘MY BOY JACK’ 1914-18 “HAVE you news of my boy Jack? ” Not this tide. “When d’you think that he’ll come back?” Not with this wind blowing, and this tide. “Has any one else had word of him?” Not this tide. For what is sunk will hardly swim, Not with this wind blowing, and this tide. “Oh, dear, what comfort can I find?” None this tide, Nor any tide, Except he did not shame his kind— Not even with that wind blowing, and that tide. Then hold your head up all the more, This tide, And every tide; Because he was the son you bore, And gave to that wind blowing and that tide.
2.
Into my heart an air that kills From yon far country blows: What are those blue remembered hills, What spires, what farms are those? That is the land of lost content, I see it shining plain, The happy highways where I went And cannot come again.
3.
YOUNG BEN he was a nice young man, A carpenter by trade; And he fell in love with Sally Brown, That was a lady’s maid. But as they fetched a walk one day, They met a press-gang crew; And Sally she did faint away, Whilst Ben he was brought to. The boatswain swore with wicked words Enough to shock a saint, That, though she did seem in a fit, ’T was nothing but a feint. “Come, girl,” said he, “hold up your head, He ’ll be as good as me; For when your swain is in our boat A boatswain he will be.” So when they ’d made their game of her, And taken off her elf, She roused, and found she only was A coming to herself. “And is he gone, and is he gone?” She cried and wept outright; “Then I will to the water-side, And see him out of sight.” A waterman came up to her; “Now, young woman,” said he, “If you weep on so, you will make Eye-water in the sea.” “Alas! they ’ve taken my beau, Ben, To sail with old Benbow;” And her woe began to run afresh, As if she ’d said, Gee woe! Says he, “They ’ve only taken him To the tender-ship, you see.” “The tender-ship,” cried Sally Brown, “What a hard-ship that must be!” “O, would I were a mermaid now, For then I ’d follow him! But O, I ’m not a fish-woman, And so I cannot swim. “Alas! I was not born beneath The Virgin and the Scales, So I must curse my cruel stars, And walk about in Wales.” Now Ben had sailed to many a place That ’s underneath the world; But in two years the ship came home, And all her sails were furled. But when he called on Sally Brown, To see how she got on, He found she ’d got another Ben, Whose Christian-name was John. “O Sally Brown! O Sally Brown! How could you serve me so? I ’ve met with many a breeze before, But never such a blow!” Then, reading on his ’bacco box, He heaved a heavy sigh, And then began to eye his pipe, And then to pipe his eye. And then he tried to sing, “All ’s Well!” But could not, though he tried; His head was turned,—and so he chewed His pigtail till he died. His death, which happened in his berth, At forty-odd befell; They went and told the sexton, and The sexton tolled the bell.
4.
Sunset and evening star, And one clear call for me! And may there be no moaning of the bar, When I put out to sea, But such a tide as moving seems asleep, Too full for sound and foam, When that which drew from out the boundless deep Turns again home. Twilight and evening bell, And after that the dark! And may there be no sadness of farewell, When I embark; For tho’ from out our bourne of Time and Place The flood may bear me far, I hope to see my Pilot face to face When I have crost the bar.
5.
There will come soft rains and the smell of the ground, And swallows calling with their shimmering sound; And frogs in the pools singing at night, And wild plum-trees in tremulous white; Robins will wear their feathery fire Whistling their whims on a low fence-wire; And not one will know of the war, not one Will care at last when it is done. Not one would mind, neither bird nor tree If mankind perished utterly; And Spring herself, when she woke at dawn, Would scarcely know that we were gone.
6.
'Tis spring; come out to ramble The hilly brakes around, For under thorn and bramble About the hollow ground The primroses are found. And there's the windflower chilly With all the winds at play, And there's the Lenten lily That has not long to stay And dies on Easter day. And since till girls go maying You find the primrose still, And find the windflower playing With every wind at will, But not the daffodil, Bring baskets now, and sally Upon the spring's array, And bear from hill and valley The daffodil away That dies on Easter day.
7.
Oh fair enough are sky and plain, But I know fairer far: Those are as beautiful again That in the water are; The pools and rivers wash so clean The trees and clouds and air, The like on earth was never seen, And oh that I were there. These are the thoughts I often think As I stand gazing down In act upon the cressy brink To strip and dive and drown; But in the golden-sanded brooks And azure meres I spy A silly lad that longs and looks And wishes he were I.
8.
These, in the days when heaven was falling, The hour when earth's foundations fled, Followed their mercenary calling And took their wages and are dead. Their shoulders held the sky suspended; They stood, and the earth's foundations stay; What God abandoned, these defended, And saved the sum of things for pay.
9.
I wish was in London Or some other seaport town I’d set foot on a steamboat And I’d sail the ocean round Sailing on the ocean Or sailing on the sea I’d think of handsome Molly Wherever she may be I went down to church last Sunday And as she passed me by I knew her mind was changing By the roving of her eye Do you remember Molly When you gave me your right hand You said if e’er you married That I would be the man But now you’ve gone and left me Go on with whom you please While I lie here in sorrow Lamenting at your ease I’ll go down to the river When everyone’s asleep And think on handsome Molly And lay me down and weep Her hair as dark as ravens Her eyes were black as sloes Her cheeks were like the lilies That in the morning blow And I wish was in London Or some other seaport town I’d set foot on a steamboat And sail the ocean round Sailing on the ocean Or sailing on the sea I’d think of Handsome Molly Wherever she may be
10.
These, in the days when heaven was falling, The hour when earth's foundations fled, Followed their mercenary calling And took their wages and are dead. Their shoulders held the sky suspended; They stood, and the earth's foundations stay; What God abandoned, these defended, And saved the sum of things for pay.
11.
Rain 01:46
Rain, the gentle rain that hung upon the grass The autumn rain that touched the fields so early When the summer sun returns will you hold me once again In your arms, among the fields of golden barley? Summer was a burning wind that raised a bitter crop That came and went so swiftly and unfairly And then the autum rain put a rust upon my heart Left alone among the fields of golden barley (Optional) A pale song, a sad song to hold within my mind A bitter song of summer love gone from me When the summer sun returns will you hold me in your arms Once again, among the fields of golden barley? (Optional alternative 3rd verse) A pale song, a sad song to hold within my mind A bitter song of summer love gone from me A pale song, a bitter song to hold within my mind Left alone among the fields of golden barley (Optionally, repeat verse 1, or use as chorus.)
12.
Loveliest of trees, the cherry now Is hung with bloom along the bough, And stands about the woodland ride Wearing white for Eastertide. Now, of my threescore years and ten, Twenty will not come again, And take from seventy springs a score, It only leaves me fifty more. And since to look at things in bloom Fifty springs are little room, About the woodlands I will go To see the cherry hung with snow.
13.
As I walked from my love’s wedding By the spring where we once lay From the top of a mighty oak tree A songbird sang to me It’s been so long that I’ve loved you I never will love again Sing, happy nightingale, Sing, for your heart is light Sing out your notes so merry But all that I can do is cry My love has wed another Though I was not to blame I gave to him my love too freely Now someone wiser bears his name Oh, how I wish that the rosebud Still flourished on the vine And that my false true lover Still returned this love of mine Il y a longtemps que je t’aime Jamais je ne t’oublierai
14.
Rain, the gentle rain that hung upon the grass The autumn rain that touched the fields so early When the summer sun returns will you hold me once again In your arms, among the fields of golden barley? Summer was a burning wind that raised a bitter crop That came and went so swiftly and unfairly And then the autum rain put a rust upon my heart Left alone among the fields of golden barley (Optional) A pale song, a sad song to hold within my mind A bitter song of summer love gone from me When the summer sun returns will you hold me in your arms Once again, among the fields of golden barley? (Optional alternative 3rd verse) A pale song, a sad song to hold within my mind A bitter song of summer love gone from me A pale song, a bitter song to hold within my mind Left alone among the fields of golden barley (Optionally, repeat verse 1, or use as chorus.)
15.
Light down, light down my own true love And stay with me the night For I have a bed and a fireside too And a candle that burns so bright. I can’t light down and I won’t light down Nor spend the night with thee For I have a love and a true true love Would think so ill of me But he’s bent down from his saddle To kiss her snowy white cheek She’s stolen the dagger from out of his belt And plunged it into him so deep She’s taken him by his long yellow hair And the maid’s taken him by the feet They’ve plunged him into that deep doleful well Full 20 fathoms deep And as she’s turned her round to go home She’s heard some pretty bird sing Go home, go home you cruel girl And weep and mourn for him Fly down, fly down you pretty bird Fly down and go home with me And your cage will be made of the glittering gold And the perch of the best ivory I can’t fly down and I won’t fly down And I’ll not go home with thee For you have slain your own true love And I’m feared you’ll murder me I wish I had my bent horn bow And drawn with a silken string I surely would shoot that cruel bird As sits in the briars and sings I wish you had your bent horn bow And drawn with a silken string I surely would fly from vine to vine And always you’d hear me sing
16.
Far in a western brookland That bred me long ago The poplars stand and tremble By pools I used to know. There, in the windless night-time, The wanderer, marvelling why, Halts on the bridge to hearken How soft the poplars sigh. He hears: long since forgotten In fields where I was known, Here I lie down in London And turn to rest alone. There, by the starlit fences, The wanderer halts and hears My soul that lingers sighing About the glimmering weirs.

about

I suppose it's a bit reckless waving an album title including the word 'mild' at any passing music critics, but I never could resist a bad pun. And perhaps I should confess now that these recordings are mostly demo versions rather than commercial quality, since health issues are preventing me from giving them the further attention I should. Still, as ever, I figure my strengths are in songwriting rather than performance, so here they are: I hope I can contribute better performances in due course.

This is an album with a more traditional vibe than my previous albums, and even includes arranged and adapted versions of three traditional songs ('Handsome Molly', 'Young Hunting', and 'Á La Claire Fontaine'), while two others are verse by Housman set to traditional tunes. In fact, most of the Housman settings here are unaccompanied, thought there may be more ambitious versions in due course, if health allows. As well as the Housman settings, there are settings of work by other poets: 'Faithless Sally Brown' (Thomas Hood), 'My Boy Jack' (Kipling) and 'There Will Come Soft Rains' (Sara Teasdale). 'Rain', the only song here for which I provided both the words and music, is here in two renderings - one unaccompanied, as I originally wrote it, and one with guitaar, the way I do it now. The Housman poem 'Epitaph On An Army Of Mercenaries' is also here in two versions. On one version the vocal is stronger, but I rather like the synth on version two.

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released February 1, 2022

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David A. Harley England, UK

David Harley is a former professional musician, administrator, IT security editor, author and researcher, and former much else that is even less impressive. He now lives in Cornwall. More info at whealalice.com

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