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The Game of London

by David A. Harley

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1.
The Miles Between (the City and the Heart) Deep in the Underground two policemen were patrolling up and down An old man swearing to himself Sifted through some rubbish that he'd found A busker played out fantasies until they moved him off the concourse And wrote him out of the part As he whistled up the steps you'd never know that he was falling In the miles between the city and the heart Lucy checked her A to Z while the drama was played out Then took the exit two steps at a time The street signs and the time and the interview ahead Were all that occupied her mind From the top of the steps she saw him sitting by the roadside Picking aimless chords on his guitar When their eyes met she knew that he was falling In the miles between the city and the heart That night she sat alone in her bedsit in W9 Half-aware of the TV Determined not to fret about another wasted journey One more already-filled vacancy Half-hoping for the phone, even a call from home To ease the loneliness that crept under her guard She looked at her bare walls, afraid she might be falling In the miles between the city and the heart Impatiently she switched the news off Lighting one more carefully-rationed cigarette She gave up trying to write letters, scanned some ads in Time Out And threw the magazine down on the bed Praying to someone, somewhere under her breath "If I'm falling, please don't let me land too hard. I can't go back now, please save me from the wasteland In the miles between the city and the heart."
2.
I left my Northern home to learn the Game of London At just turned 15 I slipped off the train at Euston My gear stuffed in a rucksack with the money that I stole While dad slept off the liquor from the night before And I didn't look back once when I slipped out To go and learn the Game of London I slept rough a night or two when I first came to London But I soon learned the ways to subsidize my education By the pawning of my body and the selling of my soul I learned all the secrets that you say are best untold And by the lights of the West End I learned to play the Game of London In your beds on Sunday morning you may read about the shame of London Do you dare to blame or pity, or do you envy me my freedom? I am the secret self that you dare not recognize Freed of all your inhibitions, I don't need your alibis With your narrow moral ways You have not learned the Game of London
3.
Coasting: words and music by David A. Harley The nights pass slowly, but they pass: The days are paper-thin. Life goes on much as usual: Some games I lose, some I win. Sometimes I feel that I’m sleepwalking Through the streets of this grey city, But then, it’s only been a month or two. It’s not the first time that I’ve coasted Through the routine chores of living And I’ll make it this time too After you… Today I walked in sunlight though the wind blew cold Through my coat: I thought about the coming spring, and I swear somewhere I felt a twinge of hope. I don’t expect to hear from you. I guess that’s how it should be: There’s no point in chasing dreams that won’t come true. It’s not the first time that I’ve coasted through the aftermath of loving And I’ll make it this time too After you… Sometimes I take a weekend walk by these muddy city shores And old man river talks to me But I can’t quite understand: my feet stay locked to the dry land So he drifts on with the seasons out to sea The weeks pass slowly but they pass And I drift from phase to phase. I’m sick of wishing you were here to help me Through these bleak and restless days. Sometimes I think I’m waking into another nightmare, But it passes, as these feelings often do. It’s not the first time I’ve been lonely, nor the first time I’ve been left, And I’ll make it this time too After you…
4.
Same Old Same Old (words & music (c) David A. Harley) The burglar bells chimed midnight The sky was pouring down My feet froze to the catwalk But my head was homeward-bound Same old blues Same old back-street blues My head is stuffed with nicotine My throat is full of sand My bloodstream is pure gin I can’t remember how to stand Same old blues Same old inner-city blues The all-night bus is AWOL I can’t get to my bed There’s a tangle in my fingers And a jangle in my head Same old blues Same old long-gone midnight blues
5.
Walls 03:19
Walls (words & music (c) David Harley) Last time I saw Jeannine, we lost most of our time In the company of friends who were neither hers nor mine Castaways in different cities, working through some breaks Regretting our vocations, scared of making more mistakes And we talked of where we’d been How we’d passed the interim Since the last time together, building up A wall of coffee cups and cigarette ends Keeping our last rendezvous At least, it looks to be the last we’ll keep The last time I saw Jeannine, we lost most of our time Talking of ourselves in terms of once upon a time Clinging to the wreckage of lives we’d left behind Hoping for the miracle we lost somewhere in time And shied away from conversation Of ourselves but in relation To each other, but together, building up A wall of alibis half-spoken And chances we were missing At least, from here it seems we’ve missed them all
6.
17-Year Itch 02:59
17-Year Itch (words & music by David A. Harley Front tyre blew / Tax overdue Picked up / A parking fine or two Gas bill trouble / Rent is doubled You say “NOW what’s wrong with you?” Dentures slipping / Nervous twitch 17-year-itch I’m underpaid and overweight / So let’s go and celebrate Who said life begins at 40? Kids are listening / Separate beds Bitter thoughts / In separate heads Kids are screaming / Dogs are howling Milk gone bad / We’re out of bread So I leer at typists / Wonder which Might scratch / My seventeen year itch I must have wasted / So much time The other side / Of 39 Monday morning / Bus queue blues MOT overdue My head is bursting / My eyes need testing Sorry that I snapped at you Sorry / Sorry Always saying sorry Always praying There might be some peace sometime The other side of 65 But would it be so hard to be Another aging divorcee?
7.
Heatwave In The City - words & music by David A. Harley There’s a heatwave in the city and the day drags on forever The tarmac burns through patent leather, clear through to the sole Ice tumbles through glass as the temperature soars And the dayshift leaves the nightshift to take over for a while The city sings at midnight to the well-fed and the civilized While waiters mop their faces in the kitchen, out of sight Small change pours in torrents over counters in the bistros And the moon hangs red and sullen in the dustbowl of the sky The city is on heat, bare-legged girls in summer dresses Dodge the lechery of workmen laying cable through the day But the night turns on the body to sweet pornography Passions feed on darkness and the body mutes the mind The city squeals at midnight in its pain and ecstasy The life-force surges through the veins and soaks the sheets The couples claw and couple and feed upon each other And still the hunger rages through the streets I saw a refugee from Galway with a faceful of stubble Singing sentimental songs in the underground today He’s going back to Mother Ireland and the Mountains of Mourne And he only needs a bob or two to help him on his way The city whimpers at midnight in its apathy and squalor From a bench on the Embankment, from a derry in Barnes From a squat in Deptford, from the winos and the junkies From the homeless and the helpless, the hopeless and the lost A refugee from Calvary is preaching anarchy and anger Through his Multi-Megawatt PA And when the concert’s over he packs his guitars and prophecies And goes back to his hotel to drink the night into the day But out there in the streets the word is out all over The heat are out for action in New Cross and Ladbroke Grove The temperature is dropping but the tempers are at flashpoint And no-one lingers on street corners if they’re walking home alone The city screams at midnight in the agony of anger The rocksteady revolution pays its homage to its dead Where dreadlocks meet deadlock the shock tears up the flagstones And on their righteous anger the riot squads are fed The Klan charts fiery crosses cloistered in an upstairs room The architects of reaction spin their bitter webs Black and white scrawl their frustrations in blood across the charge sheets And no-one dares explain the chaos in their heads The city burns at midnight and the blood runs down the sewers In the ghettoes and the side-streets where the patriots have been Squad cars and an ambulance cut through the aftermath And tomorrow’s front pages unfurl to set the scene
8.
Cooling Out 02:52
Cooling Out (words and music by David A. Harley) I stay away from dear old dad He's out of a job and gets to feeling bad And it don't take much for him to lose his rag He hits the beer from time to time And mum takes it out on me and Brian But when we're not at home we don't much mind It's their way of cooling out Of course I haven't worked since I left school No jobs around, and I'm no fool I can get more money on the street as a rule It would really get right up my snout Stacking crates and washing bottles out Anyway I like to get out and about Got me ways of cooling out Dad thinks mum's got the dropsy bad There's this smell of glue all round the flat But I'm away down the road with me blowsing bag If he asks I'll say Bri's into Airfix kits And off I'll go with me Evostik Down the park with me packet of crisps Got me ways of cooling out Mum thinks I'm always down with a cold She says I'm off me nut but then I'm never home When I'm reeling round on a toluene high But you've got to do something when it all goes grey So I'm back down the road with Mick and Dave The caretaker chases us off the estate But we're only cooling out Dad'd go spare if he knew, I bet But he's too busy drinking himself to death And mum only sees what she wants to see That's her way of cooling out…
9.
Paper City 05:25
Paper City (words & music by David A. Harley) I woke up with my mind’s eye facing your direction: I looked hard and I saw you needed help. You’re choking on paper and tape and legislation, But you can’t produce one thing to help yourself. Paper city at the heart of a paper empire: You’ve got strings to pull, you’ve got wires all over the earth. Sky-climbing parasite, concrete and paper jungle, You’ve got money to burn, but I know you’d rather freeze to death. You’ve got stacks of stocks and shares and bonds: You’ve got telephone and telex,databank and dateline too. But you can’t produce as much as one lead pencil, Or a bar of soap, or a rubber band to pull you through. The media twitch at the flash of a freemason’s handshake: Speeches are made and the punters gather round; Paper politicians and faceless company men, Taking the pulse of an ailing paper pound. I bet you know just what you’re worth on paper: When the market crumbles, what will that do to you? A lot of cold people don’t own the earth they lie in: Will you be all right in your green-lined paper tomb? Paper city at the heart of a bankrupt empire: Your towers get higher as your assets hit new lows. Nose-diving parasite, I wouldn’t mind you dying, But you’ll take so many with you when you go.
10.
The Weekends (Are the Worst) - words & music by David Harley The world has changed since I was born in 1902. Two World Wars have swept away the world that we once knew: Two brothers and three sisters , long dead and gone to earth Our lives were often hard, but now the weekends are the worst. My old man died just 20 years past. His health was never good since the Kaiser had him gassed, But in the end it was cancer that carried him off so fast I miss him all the time, and the weekends are the worst. You might say I was lucky, though we never had much cash, But we had 50-odd good years, more than I’d dare to ask. I brought up three lovely kids, though another died at birth: I miss them all a lot, and the weekends are the worst. I’ve a son in Melbourne, he’s been there since ’62: I’ve never seen his wife or kids, just a snapshot or two. My eldest died in the last lot, on a convoy to Murmansk: It still brings tears to my eyes, and the weekends are the worst. I’ve a daughter in Glasgow: she writes when she has time, But that’s a long way off, and I’ve not seen her for a while. She’s got a son in the army, just been posted to Belfast: We worry all the time, and the weekends are the worst. My friends are mostly dead, or else they’ve moved like me When the street I was brought up in was pulled down in ’63. Sixty years I’d lived there, child, girl and wife: Sheltered housing’s not so bad but it can be a lonely life. Especially since Jim died: we weren’t too bad at first But now I’m on my own the weekends are the worst. There’s the club once a week, though it’s just from seven till nine, And since my fall they only fetch me down from time to time. There’s my knitting and the TV, for what that might be worth, But I miss the company, and the weekends are the worst.
11.
Not applicable.
12.
Death of a Marriage (words & music by David A. Harley) The blinds are down, the locks are changed, His cases packed and sent: Some boxes for collection gather dust. They’re shaking hands like strangers – that’s all that either dares: It’s just the death of a marriage and there’s no room left for trust. The bedroom they shared is advertised to let, And she’s moved in with the kids. He’s found himself a bedsit, it’s handy for his job, But it’s the death of a marriage that was too long on the skids. He spends a lot of time alone, because the maintenance is crippling And he hasn’t got the bread to do the town: He’s restless and confused, and not too certain what he wants, Feeling guilty, ‘cause he knows he’s let her down. She’s anxious and she’s angry, and the kids are a pain: They miss their dad, and mum gets upset easily. She rings from time to time, and they talk about her problems: She says he has it easy, and of course he disagrees. Sometimes they meet for a lunchtime drink: He babysits, and sometimes takes the kids out for the day. They both see other people, but they’re scared to get involved: They’ve both been hurt too much already, and there isn’t much to say. Sometimes, almost by chance, they spend the night together, And wonder how they managed on their own, But sooner or later the arguments take over: It’s just a dying marriage that refuses to lie down. They live day-to-day with their crises and neuroses: Making some sort of adjustment, as best they can they cope, Huddled round the embers of the love that passed between them, They see each other growing older, and they’re learning not to hope. The blinds are down, the locks are changed, His cases packed and sent: Some boxes for collection gather dust. They wave goodbye like strangers – that’s all that either dares: It’s just the death of a marriage and there’s no room left for trust.
13.
Silk & Steel (words and music by David A. Harley) Rapid-fire repartee, quicksilver conversation Tongues that stroked and struck, caressed and clashed. I remember all too well the arching of your eyebrows When you pruned my self-importance when you saw that I’d been rash And left my lines over-extended, and my flanks undefended: Tactically, I never could compete with you. But you always held back from the coup de grâce So finally you met your Waterloo. In the long years since I left you, I could never quite forget Through all those other beds and battlefields. It’s been so long since we crossed blades, and I forget the finer shades Of the skirmishes where we laid steel to steel. But the silk of your caress, and your blazing red-haired temper Left a scar that never really did quite heal. Like your after-midnight tenderness: somehow across the years I never quite pull free of silk and steel And I never quite cut free of silk and steel.
14.
Coasting: words and music by David A. Harley The nights pass slowly, but they pass: The days are paper-thin. Life goes on much as usual: Some games I lose, some I win. Sometimes I feel that I’m sleepwalking Through the streets of this grey city, But then, it’s only been a month or two. It’s not the first time that I’ve coasted Through the routine chores of living And I’ll make it this time too After you… Today I walked in sunlight though the wind blew cold Through my coat: I thought about the coming spring, and I swear somewhere I felt a twinge of hope. I don’t expect to hear from you. I guess that’s how it should be: There’s no point in chasing dreams that won’t come true. It’s not the first time that I’ve coasted through the aftermath of loving And I’ll make it this time too After you… Sometimes I take a weekend walk by these muddy city shores And old man river talks to me But I can’t quite understand: my feet stay locked to the dry land So he drifts on with the seasons out to sea The weeks pass slowly but they pass And I drift from phase to phase. I’m sick of wishing you were here to help me Through these bleak and restless days. Sometimes I think I’m waking into another nightmare, But it passes, as these feelings often do. It’s not the first time I’ve been lonely, nor the first time I’ve been left, And I’ll make it this time too After you…

about

In my mid-20s I moved to London: it wasn't necessarily intended as a permanent move, but somehow or other I stayed there for 25 years: single, married (twice), a parent, a clerk, a wood machinist, a systems administrator, and much else. But this isn't an autobiographical album, though like most writers of songs and fiction, I've let my own backstory peek through here and there. Rather, these are a few stories about the city and the way it impacts on the lives of (some of) the people living there.

Wheal Alice Music WAM21-6

credits

released April 19, 2021

Track 7 recorded at Hallmark, London. Tracks 9 and 11-14 recorded at Centre Sound, London. All vocals and instruments by David Harley except for James Bolam (piano on track 7), and Pete Wilkes (fiddle) and Gail Williams (bodhran) on 'The Butterfly' (track 11).

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David A. Harley England, UK

David Harley is a former professional musician, administrator, IT security editor, author and researcher, and former much else that is even less impressive. He now lives in Cornwall. More info at whealalice.com

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